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Reet Jetwani graduated with a BA Honours in Fashion Design and Textiles from LASALLE College of the Arts, with a specialisation in Creative Pattern Cutting. Her research deals with ideas of post-humanism and understanding human behaviours and emotions. Reet believes true sustainability in fashion is when every garment is cherished by the wearer and hence she aims for her designs to be personally crafted and feel special when worn.
Recent Projects
Recent Projects
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KIN
KIN (World 157) is a fictional world created as a part of 'fashion fictions', a project led by the Nottingham School of Art and Design, that provides a space for exploring alternate fashion systems. In KIN's world, obstructive censorship of sexual identity no longer exists and the society parallels away from Southeast Asian colonization. Individuals are granted acceptance and freedom of expression beyond sexuality to rediscover non-dual identities through a post-humanist lens, freed of a gender system, illuminating hope and power birthed from a new reality that blurs the line between what is real and what is constructed. This collection stems from a space of post-humanism in fashion, including the concept of the cyborg manifesto by Donna Haraway. There is opposition of binary categorization of humans through clothing, by use of fabrics and silhouettes that 'free' the body. Taking inspiration from the patterns of traditional Malaysian garments, the use of rectangular patterns with minimal sewing and almost zero fabric waste are produced. Textiles are further developed by the deconstruction of traditional Malaysian prints, such as florals, to create contemporary embroideries in the collection.
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KIN
KIN (World 157) is a fictional world created as a part of 'fashion fictions', a project led by the Nottingham School of Art and Design, that provides a space for exploring alternate fashion systems. In KIN's world, obstructive censorship of sexual identity no longer exists and the society parallels away from Southeast Asian colonization. Individuals are granted acceptance and freedom of expression beyond sexuality to rediscover non-dual identities through a post-humanist lens, freed of a gender system, illuminating hope and power birthed from a new reality that blurs the line between what is real and what is constructed. This collection stems from a space of post-humanism in fashion, including the concept of the cyborg manifesto by Donna Haraway. There is opposition of binary categorization of humans through clothing, by use of fabrics and silhouettes that 'free' the body. Taking inspiration from the patterns of traditional Malaysian garments, the use of rectangular patterns with minimal sewing and almost zero fabric waste are produced. Textiles are further developed by the deconstruction of traditional Malaysian prints, such as florals, to create contemporary embroideries in the collection.
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KIN
KIN (World 157) is a fictional world created as a part of 'fashion fictions', a project led by the Nottingham School of Art and Design, that provides a space for exploring alternate fashion systems. In KIN's world, obstructive censorship of sexual identity no longer exists and the society parallels away from Southeast Asian colonization. Individuals are granted acceptance and freedom of expression beyond sexuality to rediscover non-dual identities through a post-humanist lens, freed of a gender system, illuminating hope and power birthed from a new reality that blurs the line between what is real and what is constructed. This collection stems from a space of post-humanism in fashion, including the concept of the cyborg manifesto by Donna Haraway. There is opposition of binary categorization of humans through clothing, by use of fabrics and silhouettes that 'free' the body. Taking inspiration from the patterns of traditional Malaysian garments, the use of rectangular patterns with minimal sewing and almost zero fabric waste are produced. Textiles are further developed by the deconstruction of traditional Malaysian prints, such as florals, to create contemporary embroideries in the collection.
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KIN
KIN (World 157) is a fictional world created as a part of 'fashion fictions', a project led by the Nottingham School of Art and Design, that provides a space for exploring alternate fashion systems. In KIN's world, obstructive censorship of sexual identity no longer exists and the society parallels away from Southeast Asian colonization. Individuals are granted acceptance and freedom of expression beyond sexuality to rediscover non-dual identities through a post-humanist lens, freed of a gender system, illuminating hope and power birthed from a new reality that blurs the line between what is real and what is constructed. This collection stems from a space of post-humanism in fashion, including the concept of the cyborg manifesto by Donna Haraway. There is opposition of binary categorization of humans through clothing, by use of fabrics and silhouettes that 'free' the body. Taking inspiration from the patterns of traditional Malaysian garments, the use of rectangular patterns with minimal sewing and almost zero fabric waste are produced. Textiles are further developed by the deconstruction of traditional Malaysian prints, such as florals, to create contemporary embroideries in the collection.
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COUNCIL OF LOST
Council of Lost: Mirath is a collection of experimental creative pattern-cutting sweatshirts that aim to blend typography and pattern cutting. This project stems from my personal experiences growing up as a third-culture kid. Taking inspiration from the cultures I grew up in, led me to develop a series of 15 sweatshirts that form the basic forms of the Arabic alphabet when laid flat and are transformable when worn, which depicts the idea of 'living at the airport', which is a feeling a lot of third culture kids have in common.
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COUNCIL OF LOST
Council of Lost: Mirath is a collection of experimental creative pattern-cutting sweatshirts that aim to blend typography and pattern cutting. This project stems from my personal experiences growing up as a third-culture kid. Taking inspiration from the cultures I grew up in, led me to develop a series of 15 sweatshirts that form the basic forms of the Arabic alphabet when laid flat and are transformable when worn, which depicts the idea of 'living at the airport', which is a feeling a lot of third culture kids have in common.
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COUNCIL OF LOST
Council of Lost: Mirath is a collection of experimental creative pattern-cutting sweatshirts that aim to blend typography and pattern cutting. This project stems from my personal experiences growing up as a third-culture kid. Taking inspiration from the cultures I grew up in, led me to develop a series of 15 sweatshirts that form the basic forms of the Arabic alphabet when laid flat and are transformable when worn, which depicts the idea of 'living at the airport', which is a feeling a lot of third culture kids have in common.
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COUNCIL OF LOST
Council of Lost: Mirath is a collection of experimental creative pattern-cutting sweatshirts that aim to blend typography and pattern cutting. This project stems from my personal experiences growing up as a third-culture kid. Taking inspiration from the cultures I grew up in, led me to develop a series of 15 sweatshirts that form the basic forms of the Arabic alphabet when laid flat and are transformable when worn, which depicts the idea of 'living at the airport', which is a feeling a lot of third culture kids have in common.
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